Royalty-Free Trailer and Film Score Music – Horror and Dread | Weary Pines
WEARY PINES
MUSIC FOR TRAILERS AND FEATURE FILMS

TRAILER STINGS AND SUSTAINED DREAD FOR YOUR FILM

A trailer needs a hook in the first five seconds and a hit on the title card. A feature needs that same tension held for ninety minutes without repeating itself. Weary Pines was built across both registers – trailer stings and chase cues for the cut-down, sustained dread and drones for the full runtime. License it per project, starting at £9.

WHY FILMMAKERS COME TO US

This catalog already underscores real festival shorts and feature documentaries – not a stock trailer pack built for a 30-second ad. It is proper score writing: motifs that develop, tension that earns its release, cues built to sit under dialogue rather than compete with it.

We do not have narrative feature-length credits in the catalog yet – what we do have is real, produced work across shorts, documentaries and true crime series, written the same way a feature score is written. See a sample below, and the FAQ for which tier fits your project.

PREVIEW THE CATALOG

TRAILER CUES, CHASES AND SUSTAINED DREAD

TITLE
TAGS
WAVE
TIME
Birth
Weary Pines
1:32
Dark Passenger
Weary Pines
2:58
Dream Shapes
Weary Pines
4:04
Freak Show
Weary Pines
4:38
Bloodsucker
Weary Pines
3:53
Corruptors
Weary Pines
2:22
Creature Features
Weary Pines
3:22
Earth Bound
Weary Pines
3:56
Electric Samurai
Weary Pines
2:49
Endoskeleton
Weary Pines
3:22
Epsilon
Weary Pines
3:10
Exotic Imports
Weary Pines
3:14
1970
Weary Pines
0:30
1980
Weary Pines
0:14
1981 – We Haven’t Been Here Before
Weary Pines
2:28
1982
Weary Pines
0:30
1985
Weary Pines
0:22
1986
Weary Pines
0:24
Alleyways
Weary Pines
2:49
Creeper
Weary Pines
1:50

QUESTIONS FILMMAKERS ASK US

What license covers a self-funded or festival feature or short film?

The Creator license (from £9/track) covers one finished project outright – personal, student and small independent film work, perpetual and worldwide once purchased.

Is a trailer cut from my film a separate license from the film itself?

A trailer cut from the same project you have already licensed the score for is covered under that same purchase. If you need the license before the final cut is locked, get in touch and we will sort out the details.

What if my film gets picked up for theatrical release or a streaming platform?

None of the three self-serve tiers cover broadcast, theatrical or paid-streaming distribution – that is a separate Broadcast / Film / Streaming license, quote-only rather than a fixed self-serve price. Get in touch once distribution is confirmed.

Can I use tracks from more than one Weary Pines collection across the same film?

Yes – nothing restricts you to a single pack. Pick whichever tracks fit each scene, across any collection, and license each one at the tier your project needs.Scoring more than a couple of tracks?

What if a distributor or festival needs Content ID or rights clearance for the score?

Licensed tracks can be whitelisted against Content ID through our distributor – get in touch with your order details and we will help get it cleared.

Is this music written for one specific genre, or does it cover different kinds of dread?

It spans a range – synth-driven 80s dread, sparse ambient tension, full slasher chase energy – so it is worth previewing a few tracks below rather than assuming one mood fits your whole film.

NEED MORE THAN TRAILER AND FILM CUES?

This page is a curated slice of a much bigger catalog – slashers, true crime, sci-fi dread, sound effects and more. If something calls for a different mood, it is probably already in the Vault.

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